Gerard Sekoto, Self-Portrait, 1947. Oil on canvas on board, 45.7 x 35.6cm. The Kilbourn Collection. 60th International Art Exhibition – La Biennale di Venezia, ‘Stranieri Ovunque – Foreigners Everywhere’. Photo by: Matteo de Mayda. Courtesy of La Biennale di Venezia.

In and Out of Africa: Foreigners Everywhere or Are They?

Sophie Kazan / Featured Insights
[Art Africa, 4 July 2024]
Gerard Sekoto, Self-Portrait, 1947. Oil on canvas on board, 45.7 x 35.6cm. The Kilbourn Collection. 60th International Art Exhibition – La Biennale di Venezia, ‘Stranieri Ovunque – Foreigners Everywhere’. Photo by: Matteo de Mayda. Courtesy of La Biennale di Venezia.

Gerard Sekoto, Self-Portrait, 1947. Oil on canvas on board.

The Venice Art Biennale celebrates its 60th anniversary. There have been times, particularly over the last 10 years, that this illustrious event has reacted to globalisation with the feel of a thematic art project. And yet, this year’s international presentation of art and culture has a Latin American curator (the first!) Brazilian Adriana Pedrosa. His mission is one of consideration, empathy and inclusion. There were many more African, Latin American, and Asian artists than ever before and the most significant number of African pavilions (54, but the most so far!) in evidence. Sophie Kazan was in Venice as the fair opened. She reviews some of the works by African artists in the fair’s main exhibitions curated by Pedrosa, a selection of her top pavilions, and some of the lateral events taking place around Venice. More

 

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